TRAINING DEPARTMENT CURRICULUM

VOCAL SKILL DEVELOPMENT:

Respiration

  • encouraging correct singing posture that allows the breathing muscles to engage properly during singing, and encourages alertness throughout the rehearsal and performance process

  • engage and use abdominal muscles and other breathing muscles for support

  • implement the natural cycle of inhalation/exhalation

  • connect the breath to a phrase of music--the foundation of a legato line

  • teach the relationship between breath and musical phrasing

  • physical freedom and release of muscular tension in singing

Phonation

  • learn to differentiate between vocal sounds, upper registration and lower registration

  • produce a healthy sound in both the upper and lower registration and start the gradual process of blending the two together

  • Resonant Tone Production

  • develop the awareness and skill of clear, resonant, and accurate singing

  • develop technique in healthfully projecting the voice

  • develop uniform vowel pronunciation in singing

  • sing with a relaxed jaw and open throat

Expression

  • develop an emotional connection to the music

  • develop confidence in the rehearsal and performance setting

  • develop an appreciation for a variety of songs

  • sing expressively through use of dynamics and tempo

MUSIC THEORY OBJECTIVES FOR PRIMA CHORUS (PRE-K & KG)

  • Explore and experience ‘comparatives’ (loud and soft, fast and slow, high and low)

  • Learn to feel a steady beat and to discern the difference between rhythms (“the way the words go”) and the underlying steady pulse.

  • Focus on singing in tune by matching the teacher, the piano, or another instrument, or another student

  • Sing a major scale in solfege syllables, with handsigns

  • Recognize, read, write and perform simple rhythmic patterns using eighth, quarter, half notes and rests

  • Recognize basic symbols in music

  • Repeat signs

  • Linking phrase contour to melody

  • Stepping, skipping and leaping sounds

  • Long and short sound durations

  • Concept of lines and spaces

  • Take a basic theory test at the conclusion of each singing semester

PERFORMANCE OBJECTIVES FOR PRIMA (PRE-K & KG)

  • Develop good choral singing habits: follow the conductor’s beat and cutoffs

  • Singing a large repertoire of unison songs or canons

  • Learn a large group of folk and composed songs with different tonal relationships

  • Learn songs which implement movement, particularly encouraging beat and rhythmic awareness

  • Learn songs which incorporate improvisation and individual creativity

  • Prepare concert songs for performance, to be memorized and sung at a high standard

  • Gain experience and confidence performing by participating in all SFYC concert opportunities:

  • full chorus concerts in December and May

  • outreach concerts to retirement homes and convalescent hospitals

  • Attend chorus summer camp

  • Pass a basic performance assessment at the conclusion of the singing semester

MUSIC THEORY OBJECTIVES FOR SCHERZO (GRADES 1-2)

  • Differentiate between major and minor tonalities

  • Differentiate between duple and triple meter

  • Recognize, read, write and perform simple rhythmic patterns using eighth, quarter, half notes, whole notes, eighth, quarter, half and whole note rests

  • Begin to work with intervals, M2, M3, P4, P5

    • Sing basic melodies using Do, Re, Mi, Fa and Sol

  • Sing patterns and exercises from notes on a staff, using solfege

  • Learn basic time signatures, 2/4, 3/4, 4/4

  • Learn to track their part through a musical score

  • Expand sensitivity to dynamics and apply these concepts within performance:

    • crescendo and diminuendo

    • ritardando

    • forte, fortissimo, piano and pianissimo

    • legato, staccato

  • Take a basic theory test at the end of each singing semester

PERFORMANCE OBJECTIVES FOR SCHERZO CHORUS (GRADES 1-2)

  • Develop skills in intonation and vocal independence through unison songs, partner songs simple 2-part songs and canons

  • Differentiate between the melody and a high harmony part (descant) or a lower harmony part (alto)

  • Continuing learning to follow a director, specifically:

  • staying together as an ensemble

  • following changes in dynamics

  • Accuracy in entrances and cut-offs

  • Learn an internationally diverse body of repertoire, to develop an understanding of other cultures and languages

  • Gain experience and confidence performing by participating in all SFYC concert opportunities:

  • full chorus concerts in December and May

  • outreach concerts to retirement homes and convalescent hospitals

  • Attend chorus summer camp

  • Pass a basic performance assessment at the conclusion of each singing semester 


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